104th Annual Open. SGFA MEMBERS ONLY
248 artworks
Garages by elizabeth nast SGFA
Garages by elizabeth nast SGFA
201 / 248
By elizabeth nast SGFA
Pastel Pencil
h: 32 w: 56 d: 1 (cms).
£1850
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Golden Gate by elizabeth nast SGFA
Golden Gate by elizabeth nast SGFA
202 / 248
By elizabeth nast SGFA
Colour Pencil
h: 42 w: 26 d: 1 (cms).
£1450
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Brixton Back Street by elizabeth nast SGFA
Brixton Back Street by elizabeth nast SGFA
203 / 248
By elizabeth nast SGFA
Colour Pencil and Marker
h: 29 w: 21 d: 1 (cms).
£845
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Tracery by sue side SGFA
Tracery by sue side SGFA
204 / 248
By sue side SGFA
drypoint etching
h: 30 w: 20 d: 1 (cms).
£300
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Pink Butterfly by curtis holder PS
Pink Butterfly by curtis holder PS
205 / 248
By curtis holder PS
Pencil and acrylic gouache on paper
h: 120 w: 70 d: 1 (cms).
£3500
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Old School House, Keston by roger lewis PP HonSGFA
Old School House, Keston by roger lewis PP HonSGFA
206 / 248
By roger lewis PP HonSGFA
Acrylics
h: 44 w: 34 d: 3 (cms).
Landscape en plein air
£525
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Winter Walks I by sarah butler SGFA
Winter Walks I by sarah butler SGFA
207 / 248
By sarah butler SGFA
Pen & Ink
h: 16 w: 11 d: 1 (cms).
View from Denbury Hill, Denbury, Devon. Drawn on A6 cotton rag paper
£425
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Porlock Weir Beach by jean whitley smyth SGFA
Porlock Weir Beach by jean whitley smyth SGFA
208 / 248
By jean whitley smyth SGFA
Etching with aquatint
h: 44 w: 58 d: 2 (cms).
£400
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Watchtower by jean whitley smyth SGFA
Watchtower by jean whitley smyth SGFA
209 / 248
By jean whitley smyth SGFA
Etching with aquatint
h: 44 w: 58 d: 2 (cms).
£440
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Winter Walks II by sarah butler SGFA
Winter Walks II by sarah butler SGFA
210 / 248
By sarah butler SGFA
Pen & Ink
h: 16 w: 11 d: 1 (cms).
View of Denbury Hill, Denbury, Devon. Drawn on A6 cotton rag paper
£425
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Tate Modern by susan short SGFA
Tate Modern by susan short SGFA
211 / 248
By susan short SGFA
Woodcut
h: 37 w: 52 d: 1 (cms).
View of the Tate Modern, across the Thames. edition of 50
£430
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The Bench under the Trees by susan short SGFA
The Bench under the Trees by susan short SGFA
212 / 248
By susan short SGFA
Woodcut
h: 35 w: 44 d: 1 (cms).
A bench under some trees. Edition of 9
£400
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Holding up the Sky by olivia dunn ASWA, ASGFA
Holding up the Sky by olivia dunn ASWA, ASGFA
213 / 248
By olivia dunn ASWA, ASGFA
Oil on canvas
h: 60 w: 60 d: 1 (cms).
£2800
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Patterns We Cling To by olivia dunn ASWA, ASGFA
Patterns We Cling To by olivia dunn ASWA, ASGFA
214 / 248
By olivia dunn ASWA, ASGFA
Pastel Pencil on Pastelmat
h: 38 w: 26 d: 1 (cms).
£1800
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Boris is in a bad mood by naomi alexander Hon SGFA
Boris is in a bad mood by naomi alexander Hon SGFA
215 / 248
By naomi alexander Hon SGFA
Pencil drawing
h: 15 w: 20 d: 2 (cms).
£700
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Bugs are go by jane barton SGFA
Bugs are go by jane barton SGFA
216 / 248
By jane barton SGFA
Monotype
h: 58 w: 41 d: 1 (cms).
Mixed media monotype on paper using cyanotype, botanical toning and acrylic and Indian inks. Signed on the reverse.
£500
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Making Connections by sally loughridge SGFA
Making Connections by sally loughridge SGFA
217 / 248
By sally loughridge SGFA
Drypoint
h: 41 w: 68 d: 1 (cms).
£350
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Heavitree Skyline by sally loughridge SGFA
Heavitree Skyline by sally loughridge SGFA
218 / 248
By sally loughridge SGFA
Drypoint & Carborundum
h: 25 w: 34 d: 1 (cms).
£350
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Spellbound by jo hall Hon and PP SGFA, AOI
Spellbound by jo hall Hon and PP SGFA, AOI
219 / 248
By jo hall Hon and PP SGFA, AOI
Acrylic and pencil
h: 27 w: 39 d: 1 (cms).
Inspired by the poem "Spellbound" by Emily Bronte
£475
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Self portrait 2024 by neil rogers ASGFA
Self portrait 2024 by neil rogers ASGFA
220 / 248
By neil rogers ASGFA
Charcoal and acetone on paper
h: 42 w: 29 d: 1 (cms).
£425
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Awakening by neil rogers ASGFA
Awakening by neil rogers ASGFA
221 / 248
By neil rogers ASGFA
Charcoal on paper
h: 42 w: 29 d: 1 (cms).
£425
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Uplifted by jane barton SGFA
Uplifted by jane barton SGFA
222 / 248
By jane barton SGFA
Monotype
h: 58 w: 42 d: 1 (cms).
Mixed media monotype on paper using cyanotype, botanical toning and acrylic and Indian inks. Signed on the reverse.
£500
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On the Road by sally loughridge SGFA
On the Road by sally loughridge SGFA
223 / 248
By sally loughridge SGFA
Drypoint
h: 50 w: 63 d: 1 (cms).
£350
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UNBUILDING BLOCKS of the QUADRATURE OF THE CIRCLE [Series I] by sumi perera RE SGFA FSDC
UNBUILDING BLOCKS of the QUADRATURE OF THE CIRCLE [Series I] by sumi perera RE SGFA FSDC
224 / 248
By sumi perera RE SGFA FSDC
etching, aquatint, embossing
h: 100 w: 70 d: 1 (cms).
A blind-embossed stack seeking light in a time of extreme darkness. The prototype Quadrature of the Circle-Unbuilding Blocks [QoC-UB] (held in the British Museum, Royal Collection & Ashmolean Museum) was designed to celebrate the RE Bicentennial, a touring exhibition REbels. UB-QoC [2025] inverts & reveals the structural system of support (with a few imperfections) hidden around the central motif. Representing the strong network of family & friends that helps survival & emergence from a pit of darkness. [6 individual prints within the stack available for sale]
£1800
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Anh by anna judge SGFA
Anh by anna judge SGFA
225 / 248
By anna judge SGFA
Charcoal
h: 40 w: 27 d: 1 (cms).
Study of Vietnamese native, Anh Wisle.
£850
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Ethan by anna judge SGFA
Ethan by anna judge SGFA
226 / 248
By anna judge SGFA
Charcoal
h: 40 w: 30 d: 1 (cms).
£850
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Freya by anna judge SGFA
Freya by anna judge SGFA
227 / 248
By anna judge SGFA
Charcoal
h: 40 w: 30 d: 1 (cms).
£850
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After The Storm by marc bodie
After The Storm by marc bodie
228 / 248
By marc bodie
Fine Line Pens, Charcoal, Pastel, Acrylic Paint on paper
h: 21 w: 15 d: 1 (cms).
I tried with this piece to replicate (in a very understated way ) not only the sense of light starting to come back into the day from behind what were the darkened heavy water Laden storm clouds, but I also attempted to bring in the aftermath of the distructive forces of the event, so through bruising and tearing the surface of the paper in a downward direction etc... Also the roughness in the execution of this piece. It is of course also a self portrait, I felt lost and directionless and at the whim of whatever life threw at me at the time of doing this, I hope that people will see the overall emotional aspect of this piece and maybe will ask "what is his story?" And maybe be able to connect in some way?
£650
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The Mothers' Race by sue hardy SGFA
The Mothers' Race by sue hardy SGFA
229 / 248
By sue hardy SGFA
Etching
h: 15 w: 25 d: 1 (cms).
£300
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Beyond The Horizon by marc bodie
Beyond The Horizon by marc bodie
230 / 248
By marc bodie
Fine Line Pens on Yupo Paper
h: 40 w: 28 d: 1 (cms).
I hoped to convey a sense of quiet hope, as of someone who has been waiting so long for the return of a loved one. In the use of this lighting I was hoping that this would add to the mood of this piece. I hope that people viewing this work can somehow connect with this, in the longing and waiting to see someone we care about comes so many memories and all the emotional landscape we inhabited together the good and the difficult, we suppress a lot in these hopeful moments of waiting, the moment may be still but the mind is not. "What is his story?"
£1500
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Wool on the Wire by sue hardy SGFA
Wool on the Wire by sue hardy SGFA
231 / 248
By sue hardy SGFA
Charcoal30
h: 30 w: 22 d: 1 (cms).
£540
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REBUILDING THE UNBUILT – The Z Block by sumi perera RE SGFA FSDC
REBUILDING THE UNBUILT – The Z Block by sumi perera RE SGFA FSDC
232 / 248
By sumi perera RE SGFA FSDC
etching and aquatint
h: 75 w: 56 d: 1 (cms).
An ongoing series of prints paying homage to Piranesi, probably the first ‘paper architect’. Paper architects were visionaries who designed utopian or dystopian fantasies that remain unbuilt. This work was inspired by the drawings of Peter Cook of the unbuilt elevator tower designed for Expo 67 (World Fair) in Montreal. The blueprint plans for our first home were drawn up 40 years ago, and remained unbuilt due to the prevailing civil war in my native country. The prototype of this series was awarded the Prix de Print in ART IN PRINT USA by K Alkauskas, Senior Curator of PRINTS, MoMA New York USA.
£795
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Back Late by sue hardy SGFA
Back Late by sue hardy SGFA
233 / 248
By sue hardy SGFA
Charcoal
h: 30 w: 22 d: 1 (cms).
£540
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Can't See The Wood For The Trees... X by sumi perera RE SGFA FSDC
Can't See The Wood For The Trees... X by sumi perera RE SGFA FSDC
234 / 248
By sumi perera RE SGFA FSDC
etching, aquatint, embossing, viscosity print
h: 52 w: 72 d: 2 (cms).
The phrase describes the inability to see the whole situation, the bigger picture, by only focussing on the details. There is much speculation on the origin of the phrase, and it is believed to have originated in the works of English writer John Heywood around 1546. However there is a reference to the phrase in a work by Thomas More, dated 1533. A variable edition.
£495
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Talland Bay by elizabeth hicks Ba (Hons), PGCE, SGFA
Talland Bay by elizabeth hicks Ba (Hons), PGCE, SGFA
235 / 248
By elizabeth hicks Ba (Hons), PGCE, SGFA
Mixed media
h: 29 w: 38 d: 1 (cms).
Painted on the beach
£400
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Ranmore Woods by tania busschau SGFA
Ranmore Woods by tania busschau SGFA
236 / 248
By tania busschau SGFA
Pen Drawing
h: 59 w: 27 d: 1 (cms).
Fine liner pen drawing on 220gsm cartridge paper.
£750
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View Subterranea: St Paul's by rebecca coleman
View Subterranea: St Paul's by rebecca coleman
237 / 248
By rebecca coleman
Wood engraving
h: 12 w: 18 d: 1 (cms).
£300
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G&R by rebecca coleman
G&R by rebecca coleman
238 / 248
By rebecca coleman
Wood engraving
h: 9 w: 7 d: 1 (cms).
£300
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A by rebecca coleman
A by rebecca coleman
239 / 248
By rebecca coleman
Wood engraving
h: 8 w: 10 d: 1 (cms).
£300
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The Gunners' last game at Highbury by mick davies PPRBA
The Gunners' last game at Highbury by mick davies PPRBA
240 / 248
By mick davies PPRBA
Hand coloured etching
h: 70 w: 100 d: 1 (cms).
Limited edition of 10 - 3 only available
£750
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The Critics by mick davies PPRBA
The Critics by mick davies PPRBA
241 / 248
By mick davies PPRBA
Ink and acrylic on paper
h: 16 w: 18 d: 1 (cms).
£350
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Behind The Drapes by marc bodie
Behind The Drapes by marc bodie
242 / 248
By marc bodie
Fine Line Pens, and Acrylic Paint
h: 46 w: 32 d: 1 (cms).
There are times that we seek solitude, sometimes as a treat and at others a deep need even can be when it is not convenient.... Beneath the chaos to find to calm to find the you again, not the shown image or put on act of a person you would like to be seen as, this could be an essential way to protect yourself not out of want decive.... This man is retreating slowly hiding but this is not necessarily physically speaking this could just as well be mentally withdrawing from a moment, he may be feeling overwhelmed, something may have happened that he can't face talking about, we all deal with things in our own way. But it could be just a need for a moment of his own. I have used the lighting and the downward facing head to hopefully capture and add a sense of emotional drama to this piece. I hope that those seeing this can somehow relate in some way!
£2300
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'Yellow Dwarf' at Ally Pally by mick davies PPRBA
'Yellow Dwarf' at Ally Pally by mick davies PPRBA
243 / 248
By mick davies PPRBA
Watercolour & ink on paper
h: 38 w: 50 d: 1 (cms).
£850
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Night swimming I by elena degenhardt PSA, SGFA, IAPS-MC, BBK
Night swimming I by elena degenhardt PSA, SGFA, IAPS-MC, BBK
244 / 248
By elena degenhardt PSA, SGFA, IAPS-MC, BBK
Soft pastel on paper
h: 30 w: 24 d: 1 (cms).
£780
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Anna by svetlana cameron
Anna by svetlana cameron
245 / 248
By svetlana cameron
Pastel on paper
h: 62 w: 42 d: 1 (cms).
Private collection. Price for similar commissioned work
£7500
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Skateboarders from Blend by oliver lovley SGFA
Skateboarders from Blend by oliver lovley SGFA
246 / 248
By oliver lovley SGFA
Oil on Board
h: 27 w: 35 d: 1 (cms).
£1500
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Linden Lodge by oliver lovley SGFA
Linden Lodge by oliver lovley SGFA
247 / 248
By oliver lovley SGFA
Oil on Plywood
h: 23 w: 30 d: 1 (cms).
£1100
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Greenhood Coffee 3 figures by oliver lovley SGFA
Greenhood Coffee 3 figures by oliver lovley SGFA
248 / 248
By oliver lovley SGFA
Oil on Board
h: 34 w: 42 d: 1 (cms).
£1800
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