Society of Graphic Fine Art : 104th Annual Open. SGFA MEMBERS ONLY

Tree Moves

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Pinus Strobiformis

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Celia's Thoughts

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Celia Waiting

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Gloves

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Study of Hands

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Study of Hands and Cloth

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Six black ravens SPARE the monarchy from falling – a flight of fancy.

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Good Omens

By frank to PSSA, SGFA

Ignited Gunpowder & Colour Powder on Handmade Paper

h: 44 w: 29 d: 1 (cms).

Ignited gunpowder and colour powder piece depicting a swallow in mid flight.

£1350

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Good Omens

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The Golden Thread

By cristina celestini SGFA

colour pencils on paper

h: 110 w: 80 d: 1 (cms).

This work is part of a series of drawings of a piece of cloth with its many folds and textures. I have always been fascinated by the beauty and significance of cloth in art and in life: we are swaddled in a piece of cloth when we are born and we are shrouded in one when we die, we keep clothes as mementoes and each time we touch them they reveal memories we thought lost for ever. In this series of drawings, I try to unfold and unveil the stories of women and fears my grandmother told me when I was a child. The serene composition and the overall colour of these drawings contrasts with the stories and memories hidden among the folds and the texture of this old piece of cloth. This series is also an homage to Leonardo’s drawings of cloth, my first models when I learned to draw. The use of colour pencils on smooth paper allows me to build the texture with my mark making instead of relying on textured paper and, with layering and patience, to achieve unexpected effects

£2000

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The Golden Thread

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Study 1 St. Brenaind

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A Purple Stream

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All Quiet on Sermon Lane

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Lost Sole

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Beach Bouquet in a Gluggle Vase with Plastiflies

Public Choice Voting

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Waiting For The Tide To Turn

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Low Tide, Pinmill

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The Pantiles, Tunbridge Wells

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Cornwall I

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Cornwall II

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Cornwall III

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The Joker

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Colours of the Crop

By geraldine jones Hon SGFA

Pastels

h: 26 w: 35 d: 1 (cms).

A typical Lincolnshire landscape

£450

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Colours of the Crop

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Big blue

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Isabella Plantation - Spring

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Nature Fights Back.

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The Octagon

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Isabella Plantation - Autumn

Public Choice Voting

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Trees in Kenwood

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End of Year Reflections

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Whisper of the Sentinel

By dawn limbert ASGFA

Soft Pastel

h: 65 w: 50 d: 1 (cms).

Pastel painting inspired by the breathtaking beauty of a tall tree silhouetted against the glowing hues of sunset. The piece captures the stillness and majesty of nature as day fades into night.

£750

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Whisper of the Sentinel

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Winters Embrace

By dawn limbert ASGFA

Soft Pastel

h: 30 w: 42 d: 1 (cms).

A pastel painting of a snow scene from my local park in North London from when we had snow a couple of winters ago. I finally got round to painting the scene this year having done a series of three paintings of various sizes.

£550

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Winters Embrace

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Queen of Hearts

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Ultima Thule

By eric gaskell SGFA. RBSA

Linocut

h: 40 w: 28 d: 1 (cms).

Ultimate Thule is a place of Greek Myth, the most northerly place, wind and gale-swept inhabited by great sailors.

£300

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Ultima Thule

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Dreams of Star Carr I

By ibby lanfear

Alder cone ink with bone black pigment (fox, crow, roe deer) in linseed oil on gesso and oak

h: 15 w: 11 d: 2 (cms).

Using materials known and used by our Mesolithic ancestors, the work re-imagines the use of the red deer antler frontlets excavated at Star Carr in Yorkshire. It seeks to explore earlier human relationships with other species at a time when the concept of reciprocity was arguably better understood than it is today.

£400

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Dreams of Star Carr I

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Sea Grief

By eric gaskell SGFA. RBSA

Reduction Linocut

h: 40 w: 25 d: 1 (cms).

£300

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Sea Grief

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Fate of Phaeton

By eric gaskell SGFA. RBSA

Reduction Linocut

h: 42 w: 24 d: 1 (cms).

The Greek myth of Phaeton, the son of Helios (the sun god) and his ultimate demise.

£300

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Fate of Phaeton

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Dreams of Star Carr II

By ibby lanfear

Alder cone ink with bone black pigment (fox, crow, roe deer) in linseed oil on gesso and oak

h: 15 w: 11 d: 2 (cms).

Using materials known and used by our Mesolithic ancestors, the work re-imagines the use of the red deer antler frontlets excavated at Star Carr in Yorkshire. It seeks to explore earlier human relationships with other species at a time when the concept of reciprocity was arguably better understood than it is today.

£400

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Dreams of Star Carr II

Public Choice Voting

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Embrace

By giulia quaresima ASGFA

Charcoal and coloured pencils on paper

h: 60 w: 60 d: 1 (cms).

In this tondo, the sitter is depicted from above, emerging from/ disappearing into an illusory emptiness made of emotive lines created by the artist by sanding the paper; these marks contribute to make the drawing surface more textured and uneven, and to give a general movement to the composition. Depicting her sitter naked is a choice the artist makes to highlight her vulnerability. The sitter’s hands are crossed in a sort of a hug, a physical embrace, that inspires the title of the drawing. “Embrace” has been chosen for its double meaning; the sitter is actually holding herself, looking for comfort and safety, and at the same time she is accepting herself, trying to understand her dark emotions that seem to surround her in this circular-shaped composition.

£1600

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Embrace

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Fade into you

By giulia quaresima ASGFA

Charcoal and coloured pencils on paper

h: 28 w: 84 d: 1 (cms).

In this self portrait, the artist represents herself lying down, partially covering her face with her hand. The fact that her presence is actually filling just half of the composition, leaving the other half almost empty, has a metaphorical meaning, as does the vortex of dark marks that the artist creates sanding the paper and filling them with charcoal powder: the sitter is slowly losing herself, abandoning her needs, her boundaries and her identity, to merge with another person to become what this person is expecting her to be. So even if the image could be interpreted as a tender picture of someone sleeping, it hides a much bitter truth: what we see on paper is what is left of her, a blurry image, a body abandoned in a state of unconsciousness, while her true self is slowly fading away.

£1400

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Fade into you

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The Herald

By sharron astbury-petit ASGFA

acrylic, graphite and colour pencil on wood panel

h: 36 w: 28 d: 2 (cms).

The humble Daffodil – that brave vanguard of Spring. Whose fanfare blast of golden optimism through the winter gloom promises that Change Will Come.

£850

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The Herald

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1937 Shaw Velocette

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A Last Huzzah

By sharron astbury-petit ASGFA

acrylic, graphite and colour pencil on wood panel

h: 21 w: 13 d: 2 (cms).

Inspired by a dried daffodil flower preserved from my garden at the end of the season, this symbolic work evokes a longing for the return of Spring combined with a reverence for the ever-perpetuating glories of nature.

£600

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A Last Huzzah

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Witness

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Flight into Egypt, Lelant; Clematis Virginianna (Virgin’s Bower)

By hilary jean gibson ASGFA

Pencil on Bristol Board

h: 35 w: 40 d: 1 (cms).

I walk through this clematis on the dunes on the way to my sea swim. I drew it en plein air but added my imagination later. The mythology of the plant fascinates me and it was said that Mary, Joseph and the baby Jesus sheltered under its bower during their flight into Egypt. My drawing shows Lelant’s St Uny Church and the pyramidal structure of Knill’s monument a local landmark, with palm trees which thrive here in Cornwall.

£550

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Flight into Egypt, Lelant; Clematis Virginianna (Virgin’s Bower)

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Teasels, Dipsacus fullonum; Medieval walled garden, Godolphin, Cornwall

By hilary jean gibson ASGFA

Pencil on Bristol Board

h: 38 w: 45 d: 4 (cms).

I started this drawing at Godolphin in the Medieval walled gardens. I was later fascinated to learn that in a medieval garden scene, the teasel may symbolize the toil and tribulation that came into the world after the Fall of Man

£550

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Teasels, Dipsacus fullonum; Medieval walled garden, Godolphin, Cornwall

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Corvids twilight gathering

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Should Have Stayed Silent. Self Portrait, February, Midnight, 2023

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Sunset over marshes

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Storm Coming

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Stormy Day

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Time and Tide

By felicity flutter RI

Watercolour

h: 32 w: 23 d: 1 (cms).

Reference was from photographs taken on Winchelsea beach near Rye, on a calm winter afternoon with low light creating interesting shadows. Painted on Fabriano Artistico NOT paper, using both wet-on-wet and wet-on-dry techniques, some highlights were painted with opaque white watercolour. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.

£945.00

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Time and Tide

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Orange Tree

By sandra moore SGFA

Mixed Media

h: 56 w: 46 d: 1 (cms).

£875

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Orange Tree

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Up and Over

By felicity flutter RI

Watercolour and Pencil

h: 17 w: 18 d: 1 (cms).

Reference was from photographs taken in rough weather in March on the South East coast near Rye, catching the light on the rolling waves which had churned up the sand on the seabed. Painted on Fabriano Artistico NOT paper, using both wet-on-wet and wet-on-dry techniques. Some paper was left white or masked for the surf, while some highlights were painted with opaque white watercolour. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.

£465.00

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Up and Over

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Taking Shape

By felicity flutter RI

Watercolour and Pencil

h: 17 w: 18 d: 1 (cms).

Reference was from photographs taken in rough weather in March on the South East coast near Rye, catching the light on the rolling waves which had churned up the sand on the seabed. Painted on Fabriano Artistico NOT paper, using both wet-on-wet and wet-on-dry techniques. Some paper was left white or masked for the surf, while some highlights were painted with opaque white watercolour. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.

£465.00

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Taking Shape

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Bite the Bullet

By patricia rozental ASGFA

Watercolour on paper

h: 30 w: 30 d: 1 (cms).

A painting commenting on the dreadful plight of children in warfare, particularly in the light of today's terrible conflicts around the world.

£825

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Bite the Bullet

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Held

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Square

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Polishing stone

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Beyond the Wall

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Coast I

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Edgeland

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Shamley Green

By margaret eggleton SWA SGFA

Watercolour and liquid graphite

h: 20 w: 49 d: 2 (cms).

£675

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Shamley Green

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Ockley Green

By margaret eggleton SWA SGFA

Liquid graphite & watercolour

h: 21 w: 39 d: 2 (cms).

£525

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Ockley Green

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Dusk

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Small White in Flight

By louisa crispin

fineliner, tracing paper, graphite, stainless steel wire, thread

h: 85 w: 55 d: 55 (cms).

"I dream of a time when clouds of butterflies take flight once again, when the air is alive with their dancing rhythms as my grandfather saw" Each butterfly is lifesize, hand drawn from observation, the mobile inspired by the Small White butterflies seen spinning and dancing above the brassica through the summer. In 2024 even this "pest" butterfly has been scarce, a further reminder of the damage we are causing. My grandfather is no longer here to chronicle how nature was plentiful, we must find other ways to tell the stories. Not suitable for children.

£950

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Small White in Flight

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'Eave Dwellers'

By angela knapp SGFA

Hand embroidered birds stitched onto canvas backing

h: 31 w: 26 d: 3 (cms).

Three hand embroidered studies of house martins stitched onto printed canvas of vintage ornithological records by John McGeoch a local Somerset bird watcher. The backing illustrates the drop in this species numbers since the 1940's to current time. House martins are now listed as critically endangered, Red Listed birds in the UK.

£1150

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'Eave Dwellers'

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'Life on the Wing'

By angela knapp SGFA

Hand Embroidered birds stitched onto canvas backing

h: 70 w: 51 d: 3 (cms).

Three hand embroidered studies of Swifts, stitched onto stretched canvas printed with the ornithological record cards of John McGeoch. These cards illustrate to dramatic drop in UK Swift numbers from the 1940's to 1990's. Swifts are now classified as critically endangered and on the BTO red list. The canvas is also stitched giving the impression of movement as these birds pass through the air at speed.

£1700

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'Life on the Wing'

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Field Notes 002 ~ Swallowtail Butterfly

By louisa crispin

Graphite

h: 61 w: 23 d: 1 (cms).

Papilio machaon A rare British Butterfly, this Swallowtail visitor to Rye Harbour is likely to be the migrant subspecies "gorganus" rather than "britannicus" which is now restricted to the Norfolk Broads, where it lays its eggs on Milk Parsley (Peucedanum palustre) plants. "Gorganus" will seek out Wild Carrot (Daucus carota) as an alternative foodplant for the growing larvae.

£750

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Field Notes 002 ~ Swallowtail Butterfly

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Study of a Beetle 003 ~ Stag Beetle

By louisa crispin

Graphite/embossing

h: 12 w: 12 d: 1 (cms).

Observational nature study based on male stag beetle specimen. Words: The size and strength of a male Stag Beetle is determined by food availability at the larval stage. They seem to prefer rotting oak and other broadleaf species

£550

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Study of a Beetle 003 ~ Stag Beetle

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Stamford All Around

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Changing skyline

By julian osbaldstone SGFA

Ink and pencil

h: 36 w: 57 d: 1 (cms).

£1200

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Changing skyline

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The Artist's Model

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La Pescaria Venice

By austin cole RBA

Etching with Aquatint

h: 20 w: 29 d: 1 (cms).

Print shows a derelict building in one of the areas of Venice normally not visited by tourists

£310

£250 (Unframed)

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La Pescaria Venice

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A walk in Kamakura

By austin cole RBA

Etching on copper

h: 12 w: 29 d: 1 (cms).

the print is taken from a drawing done during a walk through a nature trail in Kamakura Japan

£305

£250 (Unframed)

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A walk in Kamakura

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Rye Boat 2

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David Descending

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Recharge. Manchester Paused...'

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A View to St. Paul's.

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Keere Street

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The Pink House

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January

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February

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April

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Elon Musk

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Breaking

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As dawn breaks

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Young crow with pheonix

By maz jackson

Egg tempera and gilding on gessoed oak panel

h: 11 w: 40 d: 5 (cms).

£1250

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Young crow with pheonix

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A murder of crows

By maz jackson

Egg tempera on gessoed oak panels

h: 7 w: 45 d: 2 (cms).

£450

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A murder of crows

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The Copper Horse, Windsor Great Park

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It Seemed A Suitable Goodbye

By alison griffin ASGFA

Carbon pencil on Fabriano Artistico paper 300g

h: 24 w: 28 d: 1 (cms).

The landscape resonates with the echoes and memories of the past. I try to capture the beauty of nature but also the uneasy atmosphere of edge of town hinterlands and the places of my childhood. In doing so I'm taken on a journey of reflection and contemplation; memories are delicately woven into the intricate patterns and shapes of my surroundings and every mark I draw becomes a moment of total absorption and every detail imbued with my past and the potential of what could have been.

£345

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It Seemed A Suitable Goodbye

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Can you see me?

By renata sosinska

Linocut

h: 30 w: 30 d: 1 (cms).

£435

£200 (Unframed)

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Can you see me?

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Catch me

By renata sosinska

Collage based on linocut

h: 30 w: 30 d: 1 (cms).

£380

£200 (Unframed)

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Catch me

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Tetes de graines - double face

By jackie devereux PPSGFA

Ink, thread & watercolour 3D

h: 38 w: 20 d: 20 (cms).

A double sided paper fold construction shown in an acrylic display box

£595

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Tetes de graines - double face

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Life Drawing

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Hands 1

By renata sosinska

Linocut, monoprint

h: 77 w: 59 d: 1 (cms).

£370

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Hands 1

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Wonky pots & seedheads

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Three laced pots with twigs

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Harry

By Katia Lillia ASGFA

Oil paint on wood

h: 30 w: 26 d: 1 (cms).

A portrait in oils of my beloved cat friend, Harry. He is a British shorthair with thick silvery fur and piercing amber eyes.

£650

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Harry

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Coachman's Keys

By patricia rozental ASGFA

Watercolour on Paper

h: 25 w: 22 d: 1 (cms).

A selection from the huge bunch of keys I found when we moved into our new home at Coachman's Cottage. Some have been very well used over the last 200 years...

£495

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Coachman's Keys

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