104th Annual Open. SGFA MEMBERS ONLY
248 artworks
Tree Moves by harriet brigdale VPSGFA
Tree Moves by harriet brigdale VPSGFA
101 / 248
By harriet brigdale VPSGFA
Mono print
h: 26 w: 18 d: 1 (cms).
Layers mono print and stencil.
£350.00
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Pinus Strobiformis by harriet brigdale VPSGFA
Pinus Strobiformis by harriet brigdale VPSGFA
102 / 248
By harriet brigdale VPSGFA
Monoprint
h: 33 w: 26 d: 2 (cms).
Stencil and monoprint
£450.00
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Celia's Thoughts by david sandell
Celia's Thoughts by david sandell
103 / 248
By david sandell
Colour Pencil/Pastel
h: 41 w: 67 d: 1 (cms).
Triple portrait of American artist Celia Liberace as model
£1400
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Celia Waiting by david sandell
Celia Waiting by david sandell
104 / 248
By david sandell
Charcoal
h: 34 w: 28 d: 1 (cms).
Artist Celia as model
£650
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Gloves by tom zaw PS
Gloves by tom zaw PS
105 / 248
By tom zaw PS
Pencils, charcoal
h: 35 w: 47 d: 1 (cms).
£1881
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Study of Hands by jill iliffe MA, SGFA
Study of Hands by jill iliffe MA, SGFA
106 / 248
By jill iliffe MA, SGFA
graphite
h: 33 w: 43 d: 1 (cms).
Heavily influenced by Old Master drawings this is a study of three sets of hands.
£750
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Study of Hands and Cloth by jill iliffe MA, SGFA
Study of Hands and Cloth by jill iliffe MA, SGFA
107 / 248
By jill iliffe MA, SGFA
graphite
h: 42 w: 55 d: 1 (cms).
Influenced by Old Master drawing studies, this is a study of hands and cloth.
£750
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Six black ravens SPARE the monarchy from falling – a flight of fancy. by tatiana ferahian SGFA
Six black ravens SPARE the monarchy from falling – a flight of fancy. by tatiana ferahian SGFA
108 / 248
By tatiana ferahian SGFA
ink on cotton paper
h: 31 w: 43 d: 1 (cms).
£540
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Good Omens by frank to PSSA, SGFA
Good Omens by frank to PSSA, SGFA
109 / 248
By frank to PSSA, SGFA
Ignited Gunpowder & Colour Powder on Handmade Paper
h: 44 w: 29 d: 1 (cms).
Ignited gunpowder and colour powder piece depicting a swallow in mid flight.
£1350
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The Golden Thread by cristina celestini SGFA
The Golden Thread by cristina celestini SGFA
110 / 248
By cristina celestini SGFA
colour pencils on paper
h: 110 w: 80 d: 1 (cms).
This work is part of a series of drawings of a piece of cloth with its many folds and textures. I have always been fascinated by the beauty and significance of cloth in art and in life: we are swaddled in a piece of cloth when we are born and we are shrouded in one when we die, we keep clothes as mementoes and each time we touch them they reveal memories we thought lost for ever. In this series of drawings, I try to unfold and unveil the stories of women and fears my grandmother told me when I was a child. The serene composition and the overall colour of these drawings contrasts with the stories and memories hidden among the folds and the texture of this old piece of cloth. This series is also an homage to Leonardo’s drawings of cloth, my first models when I learned to draw. The use of colour pencils on smooth paper allows me to build the texture with my mark making instead of relying on textured paper and, with layering and patience, to achieve unexpected effects
£2000
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Study 1 St. Brenaind by michael walsh SGFA
Study 1 St. Brenaind by michael walsh SGFA
111 / 248
By michael walsh SGFA
Wet/soft pastel
h: 51 w: 34 d: 1 (cms).
One of a series of portrait studies involving one sitter using various media/techniques
£3250.00
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A Purple Stream by laura arenson
A Purple Stream by laura arenson
112 / 248
By laura arenson
Mixed Media on Hand Toned Paper
h: 45 w: 30 d: 1 (cms).
£1500
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All Quiet on Sermon Lane by simon morriss
All Quiet on Sermon Lane by simon morriss
113 / 248
By simon morriss
Pen and Ink
h: 50 w: 50 d: 1 (cms).
£825
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Lost Sole by claire sparkes RI
Lost Sole by claire sparkes RI
114 / 248
By claire sparkes RI
Watercolour on Paper
h: 18 w: 16 d: 1 (cms).
£615
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Beach Bouquet in a Gluggle Vase with Plastiflies by claire sparkes RI
Beach Bouquet in a Gluggle Vase with Plastiflies by claire sparkes RI
115 / 248
By claire sparkes RI
Watercolour On Paper
h: 72 w: 50 d: 1 (cms).
£2650
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Waiting For The Tide To Turn by claire sparkes RI
Waiting For The Tide To Turn by claire sparkes RI
116 / 248
By claire sparkes RI
Watercolour on Paper
h: 63 w: 40 d: 1 (cms).
£3560
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Low Tide, Pinmill by archie niven SGFA
Low Tide, Pinmill by archie niven SGFA
117 / 248
By archie niven SGFA
Mixed
h: 17 w: 28 d: 1 (cms).
£300
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The Pantiles, Tunbridge Wells by archie niven SGFA
The Pantiles, Tunbridge Wells by archie niven SGFA
118 / 248
By archie niven SGFA
Mixed
h: 19 w: 29 d: 1 (cms).
£300
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Cornwall I by annie ridd MA SGFA
Cornwall I by annie ridd MA SGFA
119 / 248
By annie ridd MA SGFA
Oil,Oil Pastels,Penci.
h: 27 w: 38 d: 1 (cms).
On Paper
£475
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Cornwall II by annie ridd MA SGFA
Cornwall II by annie ridd MA SGFA
120 / 248
By annie ridd MA SGFA
Oil,Oil Pastel,Pencil
h: 25 w: 25 d: 1 (cms).
Oil painting produced on site in Newlyn Bay on board
£400
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Cornwall III by annie ridd MA SGFA
Cornwall III by annie ridd MA SGFA
121 / 248
By annie ridd MA SGFA
Oil,Oil Pastel, Pencil
h: 15 w: 20 d: 1 (cms).
Painted on board on site Newlyn Bay
£375
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The Joker by elizabeth mccrimmon SGFA
The Joker by elizabeth mccrimmon SGFA
122 / 248
By elizabeth mccrimmon SGFA
Graphite pencil
h: 37 w: 29 d: 1 (cms).
£550
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Colours of the Crop by geraldine jones Hon SGFA
Colours of the Crop by geraldine jones Hon SGFA
123 / 248
By geraldine jones Hon SGFA
Pastels
h: 26 w: 35 d: 1 (cms).
A typical Lincolnshire landscape
£450
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Big blue by jamie eade ASGFA
Big blue by jamie eade ASGFA
124 / 248
By jamie eade ASGFA
Colour pencil
h: 119 w: 85 d: 1 (cms).
£6000
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Isabella Plantation - Spring by Lesley Bower SGFA
Isabella Plantation - Spring by Lesley Bower SGFA
125 / 248
By Lesley Bower SGFA
Pastel on paper
h: 31 w: 46 d: 1 (cms).
The Isabella Plantation in Richmond Park
£400
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Nature Fights Back. by geraldine jones Hon SGFA
Nature Fights Back. by geraldine jones Hon SGFA
126 / 248
By geraldine jones Hon SGFA
Pastels
h: 25 w: 34 d: 1 (cms).
£450
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The Octagon by Lesley Bower SGFA
The Octagon by Lesley Bower SGFA
127 / 248
By Lesley Bower SGFA
Mixed media on paper
h: 30 w: 42 d: 1 (cms).
The wooded landscape in high summer shrouding the Octagon at Orleans Gallery, Twickenham
£400
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Isabella Plantation - Autumn by Lesley Bower SGFA
Isabella Plantation - Autumn by Lesley Bower SGFA
128 / 248
By Lesley Bower SGFA
Pastel on paper
h: 31 w: 46 d: 1 (cms).
The Isabella Plantation in Richmond Park
£400
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Trees in Kenwood by aileen jampel SGFA
Trees in Kenwood by aileen jampel SGFA
129 / 248
By aileen jampel SGFA
Etching
h: 40 w: 35 d: 1 (cms).
£450
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End of Year Reflections by dawn limbert ASGFA
End of Year Reflections by dawn limbert ASGFA
130 / 248
By dawn limbert ASGFA
Soft Pastel
h: 22 w: 30 d: 1 (cms).
Pastel painting of winter trees and their reflections surrounding the water at Epping Forest in Essex
£450
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Whisper of the Sentinel by dawn limbert ASGFA
Whisper of the Sentinel by dawn limbert ASGFA
131 / 248
By dawn limbert ASGFA
Soft Pastel
h: 65 w: 50 d: 1 (cms).
Pastel painting inspired by the breathtaking beauty of a tall tree silhouetted against the glowing hues of sunset. The piece captures the stillness and majesty of nature as day fades into night.
£750
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Winters Embrace by dawn limbert ASGFA
Winters Embrace by dawn limbert ASGFA
132 / 248
By dawn limbert ASGFA
Soft Pastel
h: 30 w: 42 d: 1 (cms).
A pastel painting of a snow scene from my local park in North London from when we had snow a couple of winters ago. I finally got round to painting the scene this year having done a series of three paintings of various sizes.
£550
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Queen of Hearts by john hurford SGFA, HonSWAc
Queen of Hearts by john hurford SGFA, HonSWAc
133 / 248
By john hurford SGFA, HonSWAc
acrylic on linen
h: 41 w: 51 d: 2 (cms).
a painting improvising on a theme of 'Alice in Wonderland'
£3000
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Ultima Thule by eric gaskell SGFA. RBSA
Ultima Thule by eric gaskell SGFA. RBSA
134 / 248
By eric gaskell SGFA. RBSA
Linocut
h: 40 w: 28 d: 1 (cms).
Ultimate Thule is a place of Greek Myth, the most northerly place, wind and gale-swept inhabited by great sailors.
£300
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Dreams of Star Carr I by ibby lanfear
Dreams of Star Carr I by ibby lanfear
135 / 248
By ibby lanfear
Alder cone ink with bone black pigment (fox, crow, roe deer) in linseed oil on gesso and oak
h: 15 w: 11 d: 2 (cms).
Using materials known and used by our Mesolithic ancestors, the work re-imagines the use of the red deer antler frontlets excavated at Star Carr in Yorkshire. It seeks to explore earlier human relationships with other species at a time when the concept of reciprocity was arguably better understood than it is today.
£400
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Sea Grief by eric gaskell SGFA. RBSA
Sea Grief by eric gaskell SGFA. RBSA
136 / 248
By eric gaskell SGFA. RBSA
Reduction Linocut
h: 40 w: 25 d: 1 (cms).
£300
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Fate of Phaeton by eric gaskell SGFA. RBSA
Fate of Phaeton by eric gaskell SGFA. RBSA
137 / 248
By eric gaskell SGFA. RBSA
Reduction Linocut
h: 42 w: 24 d: 1 (cms).
The Greek myth of Phaeton, the son of Helios (the sun god) and his ultimate demise.
£300
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Dreams of Star Carr II by ibby lanfear
Dreams of Star Carr II by ibby lanfear
138 / 248
By ibby lanfear
Alder cone ink with bone black pigment (fox, crow, roe deer) in linseed oil on gesso and oak
h: 15 w: 11 d: 2 (cms).
Using materials known and used by our Mesolithic ancestors, the work re-imagines the use of the red deer antler frontlets excavated at Star Carr in Yorkshire. It seeks to explore earlier human relationships with other species at a time when the concept of reciprocity was arguably better understood than it is today.
£400
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Embrace by giulia quaresima ASGFA
Embrace by giulia quaresima ASGFA
139 / 248
By giulia quaresima ASGFA
Charcoal and coloured pencils on paper
h: 60 w: 60 d: 1 (cms).
In this tondo, the sitter is depicted from above, emerging from/ disappearing into an illusory emptiness made of emotive lines created by the artist by sanding the paper; these marks contribute to make the drawing surface more textured and uneven, and to give a general movement to the composition. Depicting her sitter naked is a choice the artist makes to highlight her vulnerability. The sitter’s hands are crossed in a sort of a hug, a physical embrace, that inspires the title of the drawing. “Embrace” has been chosen for its double meaning; the sitter is actually holding herself, looking for comfort and safety, and at the same time she is accepting herself, trying to understand her dark emotions that seem to surround her in this circular-shaped composition.
£1600
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Fade into you by giulia quaresima ASGFA
Fade into you by giulia quaresima ASGFA
140 / 248
By giulia quaresima ASGFA
Charcoal and coloured pencils on paper
h: 28 w: 84 d: 1 (cms).
In this self portrait, the artist represents herself lying down, partially covering her face with her hand. The fact that her presence is actually filling just half of the composition, leaving the other half almost empty, has a metaphorical meaning, as does the vortex of dark marks that the artist creates sanding the paper and filling them with charcoal powder: the sitter is slowly losing herself, abandoning her needs, her boundaries and her identity, to merge with another person to become what this person is expecting her to be. So even if the image could be interpreted as a tender picture of someone sleeping, it hides a much bitter truth: what we see on paper is what is left of her, a blurry image, a body abandoned in a state of unconsciousness, while her true self is slowly fading away.
£1400
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The Herald by sharron astbury-petit ASGFA
The Herald by sharron astbury-petit ASGFA
141 / 248
By sharron astbury-petit ASGFA
acrylic, graphite and colour pencil on wood panel
h: 36 w: 28 d: 2 (cms).
The humble Daffodil – that brave vanguard of Spring. Whose fanfare blast of golden optimism through the winter gloom promises that Change Will Come.
£850
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1937 Shaw Velocette by bernard allum ASGFA
1937 Shaw Velocette by bernard allum ASGFA
142 / 248
By bernard allum ASGFA
Caran d'ache pencil on Caslon paper
h: 37 w: 58 d: 1 (cms).
1937 Shaw Velocette 249cc MOV Racing Motorcycle Frame no. M5534 Engine no. M2581
£500.00
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A Last Huzzah by sharron astbury-petit ASGFA
A Last Huzzah by sharron astbury-petit ASGFA
143 / 248
By sharron astbury-petit ASGFA
acrylic, graphite and colour pencil on wood panel
h: 21 w: 13 d: 2 (cms).
Inspired by a dried daffodil flower preserved from my garden at the end of the season, this symbolic work evokes a longing for the return of Spring combined with a reverence for the ever-perpetuating glories of nature.
£600
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Witness by paul newman
Witness by paul newman
144 / 248
By paul newman
Graphite on Bristol Board
h: 43 w: 36 d: 1 (cms).
£1050
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Flight into Egypt, Lelant; Clematis Virginianna (Virgin’s Bower) by hilary jean gibson ASGFA
Flight into Egypt, Lelant; Clematis Virginianna (Virgin’s Bower) by hilary jean gibson ASGFA
145 / 248
By hilary jean gibson ASGFA
Pencil on Bristol Board
h: 35 w: 40 d: 1 (cms).
I walk through this clematis on the dunes on the way to my sea swim. I drew it en plein air but added my imagination later. The mythology of the plant fascinates me and it was said that Mary, Joseph and the baby Jesus sheltered under its bower during their flight into Egypt. My drawing shows Lelant’s St Uny Church and the pyramidal structure of Knill’s monument a local landmark, with palm trees which thrive here in Cornwall.
£550
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Teasels, Dipsacus fullonum; Medieval walled garden, Godolphin, Cornwall by hilary jean gibson ASGFA
Teasels, Dipsacus fullonum; Medieval walled garden, Godolphin, Cornwall by hilary jean gibson ASGFA
146 / 248
By hilary jean gibson ASGFA
Pencil on Bristol Board
h: 38 w: 45 d: 4 (cms).
I started this drawing at Godolphin in the Medieval walled gardens. I was later fascinated to learn that in a medieval garden scene, the teasel may symbolize the toil and tribulation that came into the world after the Fall of Man
£550
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Corvids twilight gathering by graham heron SGFA
Corvids twilight gathering by graham heron SGFA
147 / 248
By graham heron SGFA
Pencil and watercolour
h: 66 w: 45 d: 1 (cms).
£1200
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Should Have Stayed Silent. Self Portrait, February, Midnight, 2023 by laura arenson
Should Have Stayed Silent. Self Portrait, February, Midnight, 2023 by laura arenson
148 / 248
By laura arenson
Graphite on Hand Toned Paper
h: 45 w: 30 d: 1 (cms).
£1500
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Sunset over marshes by les williams
Sunset over marshes by les williams
149 / 248
By les williams
Pen and Wash
h: 20 w: 15 d: 1 (cms).
£350
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Storm Coming by les williams
Storm Coming by les williams
150 / 248
By les williams
Pen and Wash
h: 15 w: 20 d: 1 (cms).
£350
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Stormy Day by les williams
Stormy Day by les williams
151 / 248
By les williams
Pen and Wash
h: 15 w: 20 d: 1 (cms).
£350
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Time and Tide by felicity flutter RI
Time and Tide by felicity flutter RI
152 / 248
By felicity flutter RI
Watercolour
h: 32 w: 23 d: 1 (cms).
Reference was from photographs taken on Winchelsea beach near Rye, on a calm winter afternoon with low light creating interesting shadows. Painted on Fabriano Artistico NOT paper, using both wet-on-wet and wet-on-dry techniques, some highlights were painted with opaque white watercolour. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.
£945.00
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Orange Tree by sandra moore SGFA
Orange Tree by sandra moore SGFA
153 / 248
By sandra moore SGFA
Mixed Media
h: 56 w: 46 d: 1 (cms).
£875
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Up and Over by felicity flutter RI
Up and Over by felicity flutter RI
154 / 248
By felicity flutter RI
Watercolour and Pencil
h: 17 w: 18 d: 1 (cms).
Reference was from photographs taken in rough weather in March on the South East coast near Rye, catching the light on the rolling waves which had churned up the sand on the seabed. Painted on Fabriano Artistico NOT paper, using both wet-on-wet and wet-on-dry techniques. Some paper was left white or masked for the surf, while some highlights were painted with opaque white watercolour. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.
£465.00
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Taking Shape by felicity flutter RI
Taking Shape by felicity flutter RI
155 / 248
By felicity flutter RI
Watercolour and Pencil
h: 17 w: 18 d: 1 (cms).
Reference was from photographs taken in rough weather in March on the South East coast near Rye, catching the light on the rolling waves which had churned up the sand on the seabed. Painted on Fabriano Artistico NOT paper, using both wet-on-wet and wet-on-dry techniques. Some paper was left white or masked for the surf, while some highlights were painted with opaque white watercolour. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.
£465.00
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Bite the Bullet by patricia rozental ASGFA
Bite the Bullet by patricia rozental ASGFA
156 / 248
By patricia rozental ASGFA
Watercolour on paper
h: 30 w: 30 d: 1 (cms).
A painting commenting on the dreadful plight of children in warfare, particularly in the light of today's terrible conflicts around the world.
£825
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Held by tom mole ASGFA
Held by tom mole ASGFA
157 / 248
By tom mole ASGFA
Graphite on paper
h: 42 w: 30 d: 1 (cms).
£495
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Square by tom mole ASGFA
Square by tom mole ASGFA
158 / 248
By tom mole ASGFA
Graphite on paper
h: 42 w: 30 d: 1 (cms).
£495
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Polishing stone by tom mole ASGFA
Polishing stone by tom mole ASGFA
159 / 248
By tom mole ASGFA
Graphite on paper
h: 42 w: 60 d: 1 (cms).
£595
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Beyond the Wall by jennifer jokhoo
Beyond the Wall by jennifer jokhoo
160 / 248
By jennifer jokhoo
Reduction linocut
h: 50 w: 65 d: 1 (cms).
14 colour reduction linocut of an English country garden.
£770
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Coast I by jennifer jokhoo
Coast I by jennifer jokhoo
161 / 248
By jennifer jokhoo
Reduction linocut
h: 48 w: 31 d: 1 (cms).
Seascape
£360
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Edgeland by jennifer jokhoo
Edgeland by jennifer jokhoo
162 / 248
By jennifer jokhoo
Reduction linocut
h: 28 w: 31 d: 1 (cms).
10 colour reduction lino. Winter landscape at dusk.29
£340
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Shamley Green by margaret eggleton SWA SGFA
Shamley Green by margaret eggleton SWA SGFA
163 / 248
By margaret eggleton SWA SGFA
Watercolour and liquid graphite
h: 20 w: 49 d: 2 (cms).
£675
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Ockley Green by margaret eggleton SWA SGFA
Ockley Green by margaret eggleton SWA SGFA
164 / 248
By margaret eggleton SWA SGFA
Liquid graphite & watercolour
h: 21 w: 39 d: 2 (cms).
£525
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Dusk by aileen jampel SGFA
Dusk by aileen jampel SGFA
165 / 248
By aileen jampel SGFA
etching
h: 46 w: 48 d: 1 (cms).
£450
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Small White in Flight by louisa crispin
Small White in Flight by louisa crispin
166 / 248
By louisa crispin
fineliner, tracing paper, graphite, stainless steel wire, thread
h: 85 w: 55 d: 55 (cms).
"I dream of a time when clouds of butterflies take flight once again, when the air is alive with their dancing rhythms as my grandfather saw" Each butterfly is lifesize, hand drawn from observation, the mobile inspired by the Small White butterflies seen spinning and dancing above the brassica through the summer. In 2024 even this "pest" butterfly has been scarce, a further reminder of the damage we are causing. My grandfather is no longer here to chronicle how nature was plentiful, we must find other ways to tell the stories. Not suitable for children.
£950
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'Eave Dwellers' by angela knapp SGFA
'Eave Dwellers' by angela knapp SGFA
167 / 248
By angela knapp SGFA
Hand embroidered birds stitched onto canvas backing
h: 31 w: 26 d: 3 (cms).
Three hand embroidered studies of house martins stitched onto printed canvas of vintage ornithological records by John McGeoch a local Somerset bird watcher. The backing illustrates the drop in this species numbers since the 1940's to current time. House martins are now listed as critically endangered, Red Listed birds in the UK.
£1150
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'Life on the Wing' by angela knapp SGFA
'Life on the Wing' by angela knapp SGFA
168 / 248
By angela knapp SGFA
Hand Embroidered birds stitched onto canvas backing
h: 70 w: 51 d: 3 (cms).
Three hand embroidered studies of Swifts, stitched onto stretched canvas printed with the ornithological record cards of John McGeoch. These cards illustrate to dramatic drop in UK Swift numbers from the 1940's to 1990's. Swifts are now classified as critically endangered and on the BTO red list. The canvas is also stitched giving the impression of movement as these birds pass through the air at speed.
£1700
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Field Notes 002 ~ Swallowtail Butterfly by louisa crispin
Field Notes 002 ~ Swallowtail Butterfly by louisa crispin
169 / 248
By louisa crispin
Graphite
h: 61 w: 23 d: 1 (cms).
Papilio machaon A rare British Butterfly, this Swallowtail visitor to Rye Harbour is likely to be the migrant subspecies "gorganus" rather than "britannicus" which is now restricted to the Norfolk Broads, where it lays its eggs on Milk Parsley (Peucedanum palustre) plants. "Gorganus" will seek out Wild Carrot (Daucus carota) as an alternative foodplant for the growing larvae.
£750
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Study of a Beetle 003 ~ Stag Beetle by louisa crispin
Study of a Beetle 003 ~ Stag Beetle by louisa crispin
170 / 248
By louisa crispin
Graphite/embossing
h: 12 w: 12 d: 1 (cms).
Observational nature study based on male stag beetle specimen. Words: The size and strength of a male Stag Beetle is determined by food availability at the larval stage. They seem to prefer rotting oak and other broadleaf species
£550
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Stamford All Around by karen neale SGFA
Stamford All Around by karen neale SGFA
171 / 248
By karen neale SGFA
Pen and watercolour
h: 34 w: 34 d: 1 (cms).
360 degree view from the top of St John's Church, Stamford
£750
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Changing skyline by julian osbaldstone SGFA
Changing skyline by julian osbaldstone SGFA
172 / 248
By julian osbaldstone SGFA
Ink and pencil
h: 36 w: 57 d: 1 (cms).
£1200
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The Artist's Model by vincent matthews VPSGFA
The Artist's Model by vincent matthews VPSGFA
173 / 248
By vincent matthews VPSGFA
Indian Ink & Watercolour
h: 32 w: 32 d: 1 (cms).
£900
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La Pescaria Venice by austin cole RBA
La Pescaria Venice by austin cole RBA
174 / 248
By austin cole RBA
Etching with Aquatint
h: 20 w: 29 d: 1 (cms).
Print shows a derelict building in one of the areas of Venice normally not visited by tourists
£310
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A walk in Kamakura by austin cole RBA
A walk in Kamakura by austin cole RBA
175 / 248
By austin cole RBA
Etching on copper
h: 12 w: 29 d: 1 (cms).
the print is taken from a drawing done during a walk through a nature trail in Kamakura Japan
£305
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Rye Boat 2 by austin cole RBA
Rye Boat 2 by austin cole RBA
176 / 248
By austin cole RBA
Etching
h: 20 w: 29 d: 2 (cms).
This is the second etching of a derelict boat propped up in a Rye shipyard
£310
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David Descending by gavin bowyer ASGFA
David Descending by gavin bowyer ASGFA
177 / 248
By gavin bowyer ASGFA
Pencil
h: 35 w: 25 d: 1 (cms).
David on the move down deep in Leicester Square Tube Station, London.
£1250.00
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Recharge. Manchester Paused...' by gavin bowyer ASGFA
Recharge. Manchester Paused...' by gavin bowyer ASGFA
178 / 248
By gavin bowyer ASGFA
Pencil
h: 25 w: 15 d: 1 (cms).
A family trip out to visit to Manchester Arndale. A moment to rest and restore energy levels in the Apple retail and repair shop.
£500
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A View to St. Paul's. by marc gooderham ASGFA
A View to St. Paul's. by marc gooderham ASGFA
179 / 248
By marc gooderham ASGFA
Charcoal and pastel
h: 35 w: 43 d: 1 (cms).
£650
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Keere Street by marc gooderham ASGFA
Keere Street by marc gooderham ASGFA
180 / 248
By marc gooderham ASGFA
acrylic on wood panel
h: 40 w: 30 d: 1 (cms).
£950
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The Pink House by marc gooderham ASGFA
The Pink House by marc gooderham ASGFA
181 / 248
By marc gooderham ASGFA
pastel on paper
h: 36 w: 24 d: 1 (cms).
£595
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January by kevin wells
January by kevin wells
182 / 248
By kevin wells
Pencil on Bristol Board
h: 30 w: 21 d: 1 (cms).
£1000
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February by kevin wells
February by kevin wells
183 / 248
By kevin wells
Pencil on Bristol Board
h: 30 w: 21 d: 1 (cms).
£1000
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April by kevin wells
April by kevin wells
184 / 248
By kevin wells
Pencil on Bristol Board
h: 30 w: 21 d: 1 (cms).
£1000
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Elon Musk by kevin wells
Elon Musk by kevin wells
185 / 248
By kevin wells
Coloured Pencil on Toned Paper
h: 30 w: 21 d: 1 (cms).
£1000
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Breaking by Emma Price ASGFA
Breaking by Emma Price ASGFA
186 / 248
By Emma Price ASGFA
Graphite and charcoal
h: 21 w: 28 d: 1 (cms).
£450
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As dawn breaks by Emma Price ASGFA
As dawn breaks by Emma Price ASGFA
187 / 248
By Emma Price ASGFA
Graphite and charcoal
h: 15 w: 33 d: 1 (cms).
£395
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Young crow with pheonix by maz jackson
Young crow with pheonix by maz jackson
188 / 248
By maz jackson
Egg tempera and gilding on gessoed oak panel
h: 11 w: 40 d: 5 (cms).
£1250
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A murder of crows by maz jackson
A murder of crows by maz jackson
189 / 248
By maz jackson
Egg tempera on gessoed oak panels
h: 7 w: 45 d: 2 (cms).
£450
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The Copper Horse, Windsor Great Park by cynthia barlow marrs SGFA
The Copper Horse, Windsor Great Park by cynthia barlow marrs SGFA
190 / 248
By cynthia barlow marrs SGFA
Pastel, charcoal and graphite
h: 33 w: 24 d: 1 (cms).
£350
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It Seemed A Suitable Goodbye by alison griffin ASGFA
It Seemed A Suitable Goodbye by alison griffin ASGFA
191 / 248
By alison griffin ASGFA
Carbon pencil on Fabriano Artistico paper 300g
h: 24 w: 28 d: 1 (cms).
The landscape resonates with the echoes and memories of the past. I try to capture the beauty of nature but also the uneasy atmosphere of edge of town hinterlands and the places of my childhood. In doing so I'm taken on a journey of reflection and contemplation; memories are delicately woven into the intricate patterns and shapes of my surroundings and every mark I draw becomes a moment of total absorption and every detail imbued with my past and the potential of what could have been.
£345
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Can you see me? by renata sosinska
Can you see me? by renata sosinska
192 / 248
By renata sosinska
Linocut
h: 30 w: 30 d: 1 (cms).
£435
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Catch me by renata sosinska
Catch me by renata sosinska
193 / 248
By renata sosinska
Collage based on linocut
h: 30 w: 30 d: 1 (cms).
£380
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Tetes de graines - double face by jackie devereux PPSGFA
Tetes de graines - double face by jackie devereux PPSGFA
194 / 248
By jackie devereux PPSGFA
Ink, thread & watercolour 3D
h: 38 w: 20 d: 20 (cms).
A double sided paper fold construction shown in an acrylic display box
£595
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Life Drawing by david gleeson RI
Life Drawing by david gleeson RI
195 / 248
By david gleeson RI
Pencils and watercolour
h: 41 w: 35 d: 1 (cms).
£450
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Hands 1 by renata sosinska
Hands 1 by renata sosinska
196 / 248
By renata sosinska
Linocut, monoprint
h: 77 w: 59 d: 1 (cms).
£370
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Wonky pots & seedheads by jackie devereux PPSGFA
Wonky pots & seedheads by jackie devereux PPSGFA
197 / 248
By jackie devereux PPSGFA
Ink & watercolour
h: 50 w: 50 d: 1 (cms).
£975
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Three laced pots with twigs by jackie devereux PPSGFA
Three laced pots with twigs by jackie devereux PPSGFA
198 / 248
By jackie devereux PPSGFA
Watercolour
h: 26 w: 24 d: 1 (cms).
£495
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Harry by Katia Lillia ASGFA
Harry by Katia Lillia ASGFA
199 / 248
By Katia Lillia ASGFA
Oil paint on wood
h: 30 w: 26 d: 1 (cms).
A portrait in oils of my beloved cat friend, Harry. He is a British shorthair with thick silvery fur and piercing amber eyes.
£650
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Coachman's Keys by patricia rozental ASGFA
Coachman's Keys by patricia rozental ASGFA
200 / 248
By patricia rozental ASGFA
Watercolour on Paper
h: 25 w: 22 d: 1 (cms).
A selection from the huge bunch of keys I found when we moved into our new home at Coachman's Cottage. Some have been very well used over the last 200 years...
£495
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