105th Annual Open. SGFA MEMBERS ONLY
246 artworks
The Muse by susan poole PSGFA FRSA UKCPS PhD
The Muse by susan poole PSGFA FRSA UKCPS PhD
1 / 246
By susan poole PSGFA FRSA UKCPS PhD
Egg Tempera on gesso'd board
h: 60 w: 40 d: 1 (cms).
£2000
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Truncation by katherine peeke A.A.S MA SGFA
Truncation by katherine peeke A.A.S MA SGFA
2 / 246
By katherine peeke A.A.S MA SGFA
mixed media
h: 68 w: 48 d: 1 (cms).
I re-appropriated the masking overlay from a previous work, with its remaining paint marks, to position into an altered representation of an original image. This was gratifying as I felt it was more reflective of my original concept. This mixing of elements is something I have been exploring within my practice with several combinations of drawing and trace images.
£875
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Murmuration 1 by katherine peeke A.A.S MA SGFA
Murmuration 1 by katherine peeke A.A.S MA SGFA
3 / 246
By katherine peeke A.A.S MA SGFA
mixed media
h: 29 w: 29 d: 1 (cms).
Another example of over-layering onto an original painting.
£650
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STILL by barry harrison
STILL by barry harrison
4 / 246
By barry harrison
pastel and carbon pencil
h: 76 w: 56 d: 1 (cms).
£1500
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Autumn Bonnet Parade by amanda bates SGFA
Autumn Bonnet Parade by amanda bates SGFA
5 / 246
By amanda bates SGFA
Ink
h: 30 w: 40 d: 1 (cms).
£450
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Towards Geevor, Cornwall by chris forsey RI
Towards Geevor, Cornwall by chris forsey RI
6 / 246
By chris forsey RI
Mixed Media
h: 28 w: 40 d: 1 (cms).
£795
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Dusk Approaching by chris forsey RI
Dusk Approaching by chris forsey RI
7 / 246
By chris forsey RI
Mixed Media
h: 28 w: 40 d: 1 (cms).
£795
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Shed Amongst the Birch by chris forsey RI
Shed Amongst the Birch by chris forsey RI
8 / 246
By chris forsey RI
Mixed Media
h: 28 w: 40 d: 1 (cms).
£795
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Wheelhouse and Cottages, Botallack by chris forsey RI
Wheelhouse and Cottages, Botallack by chris forsey RI
9 / 246
By chris forsey RI
Mixed Media
h: 28 w: 40 d: 1 (cms).
£795
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Favorite Old books by robert strange
Favorite Old books by robert strange
10 / 246
By robert strange
Coloured pencil
h: 36 w: 36 d: 1 (cms).
All my old books reflecting my interests over the years, and my personality. You can tell a lot about a person by the books they read.
£600
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Squashed minitures by robert strange
Squashed minitures by robert strange
11 / 246
By robert strange
Coloured pencil
h: 34 w: 51 d: 1 (cms).
I was given a collection of miniature bottles, most unused, after an exhibition of my eclectic hoardings including bottle tops and pencil shavings. The bottles were put into a fish tank and drawn direct from observation. They remain unopened as I'm tea total. The drawing challenged me to look at for reflections, distortions, patterns and many other elements that make up liquid in a glass.
£600
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Looking at Life Through Steampunk-Tinted Lenses by ann tomlin ASGFA
Looking at Life Through Steampunk-Tinted Lenses by ann tomlin ASGFA
12 / 246
By ann tomlin ASGFA
Graphite Pencil on Paper
h: 21 w: 30 d: 1 (cms).
£895
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Echoes of Her by ann tomlin ASGFA
Echoes of Her by ann tomlin ASGFA
13 / 246
By ann tomlin ASGFA
Graphite Pencil on Paper
h: 13 w: 21 d: 1 (cms).
£395
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Procession by amanda bates SGFA
Procession by amanda bates SGFA
14 / 246
By amanda bates SGFA
Ink
h: 57 w: 81 d: 1 (cms).
£1350
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The Garden and The Gate by mark curtis hughes
The Garden and The Gate by mark curtis hughes
15 / 246
By mark curtis hughes
Freehand papercut
h: 70 w: 50 d: 1 (cms).
'The Garden and the Gate is a freehand papercut, drawn with a scalpel. The piece is constructed from a collage of drawings, but these were used for reference in the cutting process rather than to trace through. The improvised mark making is important in giving the artwork an energy and spontaneous feeling. The artwork explores the positive impact that immigration has had on the development of English culture and identity. The initial starting point was the myth of giants arriving in the land of Albion and physically shaping the environment and creating an initial identity for the land. The image of a green and pleasant garden and the fairy tale setting provide the opportunity to explore and reflect on the tensions around national identity and power dynamics. The complexity and intricacy within the image explore the interwoven and dense structure of a diverse and ancient society.
£1000
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The Clarity Of Untangling The Threads (portrait of a stitch artist) 2 by emily tull
The Clarity Of Untangling The Threads (portrait of a stitch artist) 2 by emily tull
16 / 246
By emily tull
Thread painting - hand embroidery
h: 30 w: 30 d: 1 (cms).
female portrait wearing glasses on collaged fabric background with a group of tangle threads coming from one eye
£800
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The Clarity Of Untangling The Threads (portrait of a stitch artist) 4 by emily tull
The Clarity Of Untangling The Threads (portrait of a stitch artist) 4 by emily tull
17 / 246
By emily tull
Thread painting - hand embroidery
h: 30 w: 30 d: 1 (cms).
female portrait with patchwork background with tangle of thread in the portrait
£800
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The Clarity Of Untangling The Threads (portrait of a stitch artist) 5 by emily tull
The Clarity Of Untangling The Threads (portrait of a stitch artist) 5 by emily tull
18 / 246
By emily tull
Thread painting - hand embroidery
h: 30 w: 30 d: 1 (cms).
female portrait with thread tangles on a plain background
£800
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The Clarity Of Untangling The Threads (portrait of a stitch artist) 8 by emily tull
The Clarity Of Untangling The Threads (portrait of a stitch artist) 8 by emily tull
19 / 246
By emily tull
Thread painting - hand embroidery
h: 30 w: 30 d: 1 (cms).
a female portrait amongst smaller collaged pieces of pink fabrics with thread tangle clusters
£800
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House On The Hill by sandra moore SGFA
House On The Hill by sandra moore SGFA
20 / 246
By sandra moore SGFA
Mixed Media
h: 64 w: 45 d: 1 (cms).
£1250
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The Back Door by gary craig
The Back Door by gary craig
21 / 246
By gary craig
Pencil
h: 44 w: 55 d: 2 (cms).
£650
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The Art of Demise by angela malone ASGFA
The Art of Demise by angela malone ASGFA
22 / 246
By angela malone ASGFA
Watercolour and Acrylic
h: 55 w: 35 d: 1 (cms).
Over a period of time, I gathered the heads of flowers, mostly roses, that I was gifted or grew myself and dried them. I stored them in this old glass vase on a windowsill, intending to weave some sort of curtain in an exhibition I had planned. After almost a year, it occurred to me that they formed a beautiful, faded display of their own and that, in combination with the directional light and reflections, were in fact a work of art. It was a challenge to represent the inside and outside of the clear glass tube. Add to this the textures of the dried petals and it proved to be a painting I was happy to finish.
£1600
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Hanami by angela malone ASGFA
Hanami by angela malone ASGFA
23 / 246
By angela malone ASGFA
Watercolour and Acrylic
h: 44 w: 54 d: 1 (cms).
I was gifted this Japanese style teapot by a sister following her travels. She knows how much I enjoy all things Japanese and felt I might be tempted to use it in a still life painting at some stage. What she could not have known was that the teapot arrived at exactly the same time as the cherry blossoms and was the same colour too. I made it my mission to use as little colour as possible to rise to the challenge of a white painting on a black background. The final outcome meant that the greens looked heightened and much more vibrant, which I had not anticipated. It is presented in a vintage oval frame which compliments the overall composition.
£1400
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Found Beachcombing 2 by fiona carvell PS SGFA
Found Beachcombing 2 by fiona carvell PS SGFA
24 / 246
By fiona carvell PS SGFA
Soft Pastel
h: 50 w: 50 d: 1 (cms).
Continuing with my Found Beachcombing series, which feature shadows created by set lighting to create compositions which echo the movement of the sea.
£750
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Found Beachcombing 4 by fiona carvell PS SGFA
Found Beachcombing 4 by fiona carvell PS SGFA
25 / 246
By fiona carvell PS SGFA
Soft Pastel
h: 32 w: 32 d: 1 (cms).
Continuing with my Found Beachcombing series, which feature shadows created by set lighting to create compositions which echo the movement of the sea.
£580
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Great Egret study by alan woollett
Great Egret study by alan woollett
26 / 246
By alan woollett
coloured pencil on saunders waterford HP paper
h: 28 w: 41 d: 1 (cms).
£550
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whie-bellied go away bird by alan woollett
whie-bellied go away bird by alan woollett
27 / 246
By alan woollett
graphite on saunders waterford 300gsm HP paper
h: 39 w: 23 d: 1 (cms).
£500
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silvery-cheeked hornbill by alan woollett
silvery-cheeked hornbill by alan woollett
28 / 246
By alan woollett
coloured pencil on saunders waterford HP paper
h: 26 w: 37 d: 1 (cms).
£550
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Electronic Augmentation by amanda bates SGFA
Electronic Augmentation by amanda bates SGFA
29 / 246
By amanda bates SGFA
Mixed - Graphite, watercolour and copper
h: 62 w: 55 d: 2 (cms).
£695
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Holly by geoff goddard
Holly by geoff goddard
30 / 246
By geoff goddard
Graphite on card
h: 25 w: 25 d: 1 (cms).
Portrait blend of two images
£850
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Apple Blossom by geoff goddard
Apple Blossom by geoff goddard
31 / 246
By geoff goddard
Graphite on paper
h: 24 w: 19 d: 1 (cms).
Portrait blend of two images
£500
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Ripples by geoff goddard
Ripples by geoff goddard
32 / 246
By geoff goddard
Graphite on paper
h: 12 w: 12 d: 1 (cms).
Portrait blend of two images
£350
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John I by michele ashby PS
John I by michele ashby PS
33 / 246
By michele ashby PS
Pastel
h: 29 w: 23 d: 1 (cms).
£1200
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John II by michele ashby PS
John II by michele ashby PS
34 / 246
By michele ashby PS
Pastel
h: 29 w: 23 d: 1 (cms).
£1200
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John III by michele ashby PS
John III by michele ashby PS
35 / 246
By michele ashby PS
Pastel
h: 23 w: 29 d: 1 (cms).
£1200
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John IV by michele ashby PS
John IV by michele ashby PS
36 / 246
By michele ashby PS
Pastel
h: 29 w: 23 d: 1 (cms).
£1200
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Bark and Bits by amber halsall
Bark and Bits by amber halsall
37 / 246
By amber halsall
watercolour
h: 23 w: 27 d: 1 (cms).
£425
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Dark moorland by robert dutton
Dark moorland by robert dutton
38 / 246
By robert dutton
Soft pastel on Canson 180gsm 1557 drawing paper
h: 45 w: 33 d: 1 (cms).
I live close to the North York Moors. I breathe the moors. The pastel reflects the visual intersections of this particular landscape which has been cleared, changed, developed, used again and again over time to create rich tapestry of field patterns, boundary walls, divisions and separations that are both fascinating and a creative inspiration to engage with.
£680.00
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Hillside - evening light by robert dutton
Hillside - evening light by robert dutton
39 / 246
By robert dutton
Soft pastel on Canson 180gsm 1557 drawing paper
h: 36 w: 41 d: 1 (cms).
Last light catches the shapes, patterns and forms in the North Yorkshire hillside. The valleys are deep, shadows are long. Undulating glacial contours intersected by roads, tracks, paths and more have had many uses over time. This richly layered pastel painting to both draw and paint with the media (with masking, fixative, water, rubbing alcohol with both brush and by hand) gives a truly tactile feel and expression to the landscape balancing freedom of expression with control.
£680.00
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Kitchen Sink by mike skinner
Kitchen Sink by mike skinner
40 / 246
By mike skinner
Mixed Pen Graphite oil and acrylic on board
h: 42 w: 42 d: 1 (cms).
£1200
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Treetops by mike skinner
Treetops by mike skinner
41 / 246
By mike skinner
Mixed Pen Graphite oil and acrylic on board
h: 34 w: 34 d: 1 (cms).
£675
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Green Sanctuary by Helen A Taylor MA. SGFA. ASWA
Green Sanctuary by Helen A Taylor MA. SGFA. ASWA
42 / 246
By Helen A Taylor MA. SGFA. ASWA
Linocut with watercolour
h: 30 w: 23 d: 1 (cms).
Following a chance conversation at the Private View of my recent solo exhibition with friends who were looking for a print for their bathroom, I made Green Sanctuary. This is a linocut with watercolour of an imagined bathroom with lots of houseplants from my own collection. I particularly wanted the tiles to be celadon green as for some reason this came to mind when I was chatting about how it might look.
£300
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Autumn Garden - Fungi by Helen A Taylor MA. SGFA. ASWA
Autumn Garden - Fungi by Helen A Taylor MA. SGFA. ASWA
43 / 246
By Helen A Taylor MA. SGFA. ASWA
Linocut with watercolour
h: 56 w: 46 d: 1 (cms).
When this fungus appeared in my garden I thought it would be a great subject for a print as the form, colours and detail in the lobes were so interesting. I have portrayed it as it grew with Foetid Iris Berries and leaves and Fern. Printed on Somerset 300gsm paper. Edition of 10
£450
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Scarlet Tiger by Helen A Taylor MA. SGFA. ASWA
Scarlet Tiger by Helen A Taylor MA. SGFA. ASWA
44 / 246
By Helen A Taylor MA. SGFA. ASWA
Linocut with watercolour
h: 15 w: 15 d: 1 (cms).
My interpretation of a Scarlet Tiger Moth which sat on my lawn for long enough for me to draw and photograph it. It was so bright and beautiful on a hot summer day. I have portrayed it as it rested on the grass with Clover and Bugle leaves and flowers. Printed on Somerset 300gsm paper.
£300
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Seeing Spring by jack clare ASGFA
Seeing Spring by jack clare ASGFA
45 / 246
By jack clare ASGFA
mixed media
h: 58 w: 56 d: 2 (cms).
£600
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Chess, a creative perspective by jack clare ASGFA
Chess, a creative perspective by jack clare ASGFA
46 / 246
By jack clare ASGFA
Graphite
h: 56 w: 71 d: 3 (cms).
£800
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Chipped enamel and crumbs by jack clare ASGFA
Chipped enamel and crumbs by jack clare ASGFA
47 / 246
By jack clare ASGFA
oil paint
h: 33 w: 43 d: 2 (cms).
£500
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St Paul's on Reflection by roger lewis PP HonSGFA
St Paul's on Reflection by roger lewis PP HonSGFA
48 / 246
By roger lewis PP HonSGFA
Acrylics
h: 58 w: 44 d: 1 (cms).
Image adapted from initial sketch notes on location. Finished in studio
£775
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Passing Through by barbara sykes SGFA
Passing Through by barbara sykes SGFA
49 / 246
By barbara sykes SGFA
charcoal acrylic
h: 46 w: 53 d: 2 (cms).
£900
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Being Jaunty by jill iliffe MA, SGFA
Being Jaunty by jill iliffe MA, SGFA
50 / 246
By jill iliffe MA, SGFA
pencil and watercolour
h: 24 w: 44 d: 1 (cms).
A drawing about friendship and fun, reminding me of my childhood memories, stories and photos.
£575
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Alive Alive Oh by lynda clark VPSGFA, Hon Sec SGFA
Alive Alive Oh by lynda clark VPSGFA, Hon Sec SGFA
51 / 246
By lynda clark VPSGFA, Hon Sec SGFA
Watercolour
h: 30 w: 41 d: 1 (cms).
£800
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Oh What Fun We Had by lynda clark VPSGFA, Hon Sec SGFA
Oh What Fun We Had by lynda clark VPSGFA, Hon Sec SGFA
52 / 246
By lynda clark VPSGFA, Hon Sec SGFA
Watercolour
h: 41 w: 53 d: 1 (cms).
£800
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Oh What Little Fun by lynda clark VPSGFA, Hon Sec SGFA
Oh What Little Fun by lynda clark VPSGFA, Hon Sec SGFA
53 / 246
By lynda clark VPSGFA, Hon Sec SGFA
Watercolour
h: 22 w: 31 d: 1 (cms).
£600
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North Portico, Westminster Abbey by stephen baker SGFA
North Portico, Westminster Abbey by stephen baker SGFA
54 / 246
By stephen baker SGFA
Pen and ink
h: 60 w: 30 d: 1 (cms).
£500
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North Portico, Westminster Abbey by stephen baker SGFA
North Portico, Westminster Abbey by stephen baker SGFA
55 / 246
By stephen baker SGFA
watercolour
h: 60 w: 42 d: 1 (cms).
£500
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Spot On by Sue J Blake MA SGFA
Spot On by Sue J Blake MA SGFA
56 / 246
By Sue J Blake MA SGFA
Coloursoft Pencils on Black Watercolour Paper
h: 30 w: 20 d: 1 (cms).
£400
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Ano Syros Steps by christine watson PS
Ano Syros Steps by christine watson PS
57 / 246
By christine watson PS
mezzotint
h: 26 w: 18 d: 1 (cms).
£300
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Railings and Shadow by christine watson PS
Railings and Shadow by christine watson PS
58 / 246
By christine watson PS
mezzotint
h: 15 w: 12 d: 1 (cms).
£300
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Dinner for Two? by amber halsall
Dinner for Two? by amber halsall
59 / 246
By amber halsall
watercolour
h: 28 w: 22 d: 1 (cms).
£450
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Forest by sue side SGFA
Forest by sue side SGFA
60 / 246
By sue side SGFA
charcoal, carbon,chalk, ink
h: 50 w: 32 d: 1 (cms).
£795
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FenceLine by sue side SGFA
FenceLine by sue side SGFA
61 / 246
By sue side SGFA
Aquatint etching
h: 20 w: 15 d: 1 (cms).
£300
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The Witches'Broom Tree by peg morris
The Witches'Broom Tree by peg morris
62 / 246
By peg morris
Etching with aquatint
h: 50 w: 33 d: 1 (cms).
£495
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Tree Shadows on Radnor Lane by peg morris
Tree Shadows on Radnor Lane by peg morris
63 / 246
By peg morris
Etching with aquatint
h: 25 w: 19 d: 1 (cms).
£300
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The Shard from the Sky Garden by peg morris
The Shard from the Sky Garden by peg morris
64 / 246
By peg morris
Etching with aquatint
h: 20 w: 40 d: 1 (cms).
£350
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Caila by svetlana cameron
Caila by svetlana cameron
65 / 246
By svetlana cameron
Pastel
h: 70 w: 50 d: 1 (cms).
Portrait of a girl wearing national costume of Kazakhstan. Private collection, London. Commissions accepted. Price indicates artist's fee for a custom portrait of similar size and complexity.
£10000
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Oakleaves into Copper by david sandell
Oakleaves into Copper by david sandell
66 / 246
By david sandell
colour pencil /Pastel
h: 28 w: 66 d: 3 (cms).
pencil and pastel on Dark Grey PastelMat, Still life table level view of copperware and oaks.
£1200
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Copper Oaks by david sandell
Copper Oaks by david sandell
67 / 246
By david sandell
pencil/pastel
h: 30 w: 40 d: 3 (cms).
pencil /pastel on Dark Grey PastelMat.
£780
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Cwmorthin Quarry by mark lippett SGFA
Cwmorthin Quarry by mark lippett SGFA
68 / 246
By mark lippett SGFA
Pencil on Paper
h: 58 w: 40 d: 1 (cms).
This piece depicts the area around Cwmorthin Quarry in North Wales, including the remains of the building where the miners would have stayed. As with other mines in the area, the landscape is covered in pieces of unused slate left over from when the quarry was operational.
£975.00
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St Luke's Church NW3 by aileen jampel SGFA
St Luke's Church NW3 by aileen jampel SGFA
69 / 246
By aileen jampel SGFA
Monoprint
h: 20 w: 26 d: 1 (cms).
£500
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Exhale by giulia quaresima
Exhale by giulia quaresima
70 / 246
By giulia quaresima
Charcoal, pastel and coloured pencils on paper
h: 81 w: 54 d: 1 (cms).
In this self portrait, the artist reflects on people’s inner pain and the attempt to free these emotions too heavy to contain. She depicts the moment when suffering becomes visible, pouring outward from the hollow inside, rising like smoke, released through a symbolic opening of the chest - a valve of the soul. Her face blurs, but it isn’t erased - only eclipsed by what can no longer be held. In this quiet rupture, she exhales, finally able to breathe again in the space left behind by her suffering.
£2300
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Void by giulia quaresima
Void by giulia quaresima
71 / 246
By giulia quaresima
Charcoal and coloured pencils on paper
h: 59 w: 84 d: 1 (cms).
The sitter is depicted holding herself together in a sort of hug, seeking comfort and safety while trying not to be swallowed up by her inner void. The decontextualisation and the decision to portray her naked help highlight her vulnerability. Only a few details are in focus, while everything else dissolves into blur. The artist likes to give the viewer the illusion that the sitter is either emerging from or disappearing into a vortex of lines, which also contribute to giving movement to the composition, while making the surface uneven and richly textured. These marks are created by sanding the paper, following the dynamism the artist wants to achieve in the picture.
£2500
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Zebra by will taylor RBA
Zebra by will taylor RBA
72 / 246
By will taylor RBA
Charcoal on paper
h: 56 w: 76 d: 1 (cms).
Charcoal drawing on Fabriano paper
£900
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Portrait of a leaf by harriet brigdale VPSGFA
Portrait of a leaf by harriet brigdale VPSGFA
73 / 246
By harriet brigdale VPSGFA
Lino print
h: 21 w: 18 d: 1 (cms).
Lino print in two layers
£350
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Goat by will taylor RBA
Goat by will taylor RBA
74 / 246
By will taylor RBA
Charcoal on paper
h: 56 w: 69 d: 1 (cms).
Charcoalvdrawing on Fabriano paper
£900
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Autumn by harriet brigdale VPSGFA
Autumn by harriet brigdale VPSGFA
75 / 246
By harriet brigdale VPSGFA
Lino print
h: 16 w: 20 d: 1 (cms).
Reduction print
£350
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The letter by karen de la gorce SGFA
The letter by karen de la gorce SGFA
76 / 246
By karen de la gorce SGFA
Oil & pencil
h: 60 w: 60 d: 2 (cms).
This artwork is inspired by sketches made of a painting in a local art museum “Portrait of a young girl” by Thérèse Duchâteau, 1897. The additional modern day young lady posed in my studio and has been drawn in pencil with white Conté crayon highlights. This artwork is inspired by the 19th century artwork and has been interpreted to tell a different story. The viewer of this artwork can only imagine what is written in the letter.
£1600
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The abduction of Princess Europe by karen de la gorce SGFA
The abduction of Princess Europe by karen de la gorce SGFA
77 / 246
By karen de la gorce SGFA
Oil & pencil
h: 70 w: 50 d: 2 (cms).
This artwork is inspired by sketches made of a painting in a local art museum “The abduction of Princess Europe”. This painting has been taken from a larger painting of the Greek myth, “Metamorphoses d’Ovide”, by Guido Reni and a collaborator. My modern day collaborator in this scene posed in the studio and has in drawn in pencil and white Conté crayon. The myth tells a story about transformation, love, anger and punishment and my added character is simply a viewer caught up in the scene.
£1800
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Breathe by anna judge SGFA
Breathe by anna judge SGFA
78 / 246
By anna judge SGFA
Charcoal drawing
h: 41 w: 27 d: 1 (cms).
£750
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Woodland by anna judge SGFA
Woodland by anna judge SGFA
79 / 246
By anna judge SGFA
Graphite drawing
h: 35 w: 27 d: 1 (cms).
£550
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Hummingbird by anna judge SGFA
Hummingbird by anna judge SGFA
80 / 246
By anna judge SGFA
Charcoal drawing
h: 22 w: 22 d: 1 (cms).
£350
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HOLY ISLAND by graham heron SGFA
HOLY ISLAND by graham heron SGFA
81 / 246
By graham heron SGFA
Watercolour
h: 29 w: 47 d: 2 (cms).
£650
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Fragment by scarlett woodman BA(Hons)
Fragment by scarlett woodman BA(Hons)
82 / 246
By scarlett woodman BA(Hons)
Emulsion on corrugated iron, with drawing scratched into surface
h: 42 w: 57 d: 4 (cms).
£625
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Wandering by scarlett woodman BA(Hons)
Wandering by scarlett woodman BA(Hons)
83 / 246
By scarlett woodman BA(Hons)
Emulsion on corrugated iron, with drawing scratched into surface
h: 56 w: 56 d: 4 (cms).
£645
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Cloudy Sunset by felicity flutter RI
Cloudy Sunset by felicity flutter RI
84 / 246
By felicity flutter RI
Watercolour and Cretacolor Nero Pencils
h: 32 w: 23 d: 1 (cms).
Reference was from photographs taken on Winchelsea Beach, near Rye, East Sussex on a calm winter afternoon just before sunset. Painted on Fabriano Artistico NOT paper, using both wet-in-wet and wet-on-dry techniques. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.
£825.00
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Forest Trunks 2 by caroline matthews
Forest Trunks 2 by caroline matthews
85 / 246
By caroline matthews
Pencil
h: 22 w: 27 d: 1 (cms).
£550
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Back Lit Trees by caroline matthews
Back Lit Trees by caroline matthews
86 / 246
By caroline matthews
Soft Pastel
h: 30 w: 40 d: 1 (cms).
£580
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Setting Sun by felicity flutter RI
Setting Sun by felicity flutter RI
87 / 246
By felicity flutter RI
Watercolor and Cretacolor Nero Pencils
h: 16 w: 28 d: 1 (cms).
Reference was from photographs taken on Winchelsea Beach, near Rye, East Sussex on a calm winter afternoon as the sun set, creating interesting shadows on the sand ripples. Painted on Fabriano Artistico NOT paper, using both wet-in-wet and wet-on-dry techniques. Framed in a contemporary Charcoal Grey/Blue Frame with thick and thin double white mounts.
£645.00
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Field Notes 007 ~ Garden Spider by louisa crispin
Field Notes 007 ~ Garden Spider by louisa crispin
88 / 246
By louisa crispin
Graphite
h: 23 w: 61 d: 1 (cms).
Free standing Leporello Artist Book, 24 x 29 x 42 when displayed on base (see installation notes) Exploring the field edges, drawing, photographing and sometimes just sitting and watching, collecting information: the final piece, drawn in the studio from specimen and sketches, reliving those quiet moments outside.
£950
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FROSTY MORNING by graham heron SGFA
FROSTY MORNING by graham heron SGFA
89 / 246
By graham heron SGFA
Mixed medium
h: 40 w: 33 d: 2 (cms).
£400
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Field Notes 006 ~ Meadow Flight by louisa crispin
Field Notes 006 ~ Meadow Flight by louisa crispin
90 / 246
By louisa crispin
Graphite
h: 15 w: 21 d: 11 (cms).
Free standing Artist Flagbook Book. Dimensions vary depending on display format (see installation details). Display size given as if shown as image 1 is h14.5 x w20.5 x d11 cm Exploring the field edges, drawing, photographing and sometimes just sitting and watching, collecting information: the final piece, drawn in the studio from specimen and sketches, reliving those quiet moments outside.
£950
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Study of a Bird 004 ~ Skulls by louisa crispin
Study of a Bird 004 ~ Skulls by louisa crispin
91 / 246
By louisa crispin
Graphite and embossing
h: 12 w: 12 d: 1 (cms).
Study based on a collection of bird skulls (wren, goldfinch, robin, jackdaw, sparrow)
£550
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Study of an Amphibian 001 ~ Common Frog by louisa crispin
Study of an Amphibian 001 ~ Common Frog by louisa crispin
92 / 246
By louisa crispin
Graphite
h: 12 w: 12 d: 1 (cms).
Observational nature study based on a common frog skeleton (Rana temporaria). Drawing is a form of examination. It is fascinating to see the structure and consider how that forms it's movements. Such as the little hook behind the kneecap - surely an attachment to aid the jump (but apparently not!) Words: Rana temporaria. Frogs have teeth on the upper jaw but these are weak and not suitable for chewing. The coiled sticky tongue catches prey and their eyes are used to push the food down. [Framed as per Study of a Bird 004]
£550
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Made in the Moment by karen neale SGFA
Made in the Moment by karen neale SGFA
93 / 246
By karen neale SGFA
pen and watercolour
h: 14 w: 57 d: 1 (cms).
August 2025-a hazy hour or so skyline surfing from 'Top of the Rock' (Rockefeller Centre)....made in the moment in magnificently magical New York.
£800
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A stitch in time by Kaye Hodges SGFA
A stitch in time by Kaye Hodges SGFA
94 / 246
By Kaye Hodges SGFA
Graphite with watercolour wash
h: 24 w: 16 d: 1 (cms).
£450
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Welsh interior by Kaye Hodges SGFA
Welsh interior by Kaye Hodges SGFA
95 / 246
By Kaye Hodges SGFA
Graphite
h: 50 w: 29 d: 1 (cms).
£725
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Diane Ashman in her shop by Kaye Hodges SGFA
Diane Ashman in her shop by Kaye Hodges SGFA
96 / 246
By Kaye Hodges SGFA
Charcoal
h: 42 w: 29 d: 1 (cms).
Wonderful lady who sells second hand clothes, her shop is an amazing interior
£800
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Dog by pamela lloyd-jones SGFA
Dog by pamela lloyd-jones SGFA
97 / 246
By pamela lloyd-jones SGFA
pen and ink and acrylic wash on natural canvas
h: 40 w: 40 d: 1 (cms).
£750
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To Ithaca #2 by eric gaskell SGFA. RBSA
To Ithaca #2 by eric gaskell SGFA. RBSA
98 / 246
By eric gaskell SGFA. RBSA
Reduction Linocut
h: 33 w: 38 d: 1 (cms).
£250
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Kingston Row by eric gaskell SGFA. RBSA
Kingston Row by eric gaskell SGFA. RBSA
99 / 246
By eric gaskell SGFA. RBSA
Reduction Linocut
h: 16 w: 44 d: 1 (cms).
£230
Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.
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The Rock by eric gaskell SGFA. RBSA
The Rock by eric gaskell SGFA. RBSA
100 / 246
By eric gaskell SGFA. RBSA
Reduction Linocut
h: 40 w: 25 d: 1 (cms).
£240
Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.
To enquire about this artwork, please go to the artist page.
Go to Artist Page
Please enter your details below: